What are Translights
Image manipulationA Translight or Translite is a large illuminated film backing typically used as a backdrop in the film and TV industry. The name of Translite originally came from the black-and-white display film made by the Eastman Kodak Company. Technicians projected images in a darkroom onto the film in strips, which were then removed and processed by hand in tanks by the darkroom crew. The strips were seamed with tape; then oil paint was applied to the assembled picture for a tinted color effect. The name gradually was applied to any transparency lit from behind and used as a background picture for feature films or television production. Full-color printing of a Translight was first used on the motion picture One from the Heart.
Until the early 80’s, Translights were made in a photographic process, often in sections to allow very large sizes to be produced. Digital technology has now been introduced and allows large sizes to be printed with fewer seams more often on large format digital printers, with just under 5m or 16ft being attainable before joining takes place and images over 30ft high and 150ft wide have been produced.
Translights allow the director of photography to create what appears to be an exterior scene, but under controlled conditions, rather than dependent on weather, access, and time of day. The images extend a set. Because the image is captured during principal photography, no post-production is required. The ability to do thirty takes of a scene against a perfect sunset and still have the option of coming back after seeing the dailies for twenty more. Instead of shooting everything on location, which requires permits, crowd and traffic control, and ability to squeeze huge grip trucks onto a residential street without annoying the neighbours, a compromise is reached.
A further development of this technology is the “day-to-night” Translight. In this case, the night image is printed and then a layer of white ink is applied, with the day image in perfect registration, both images are perfectly aligned. With a change in the direction of illumination, the director of photography can change between daytime and night time scenes with no requirement for re-rigging. This type of Translight does not photographically reproduce the scene at night, for the daytime image remains somewhat visible and is enhanced by the night image emerging from behind to give that magical effect.
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How we edit imagery to create a Translight
We were approached a production team in search of the ideal location image to set the scene for their upcoming shoot. With a clear vision of the image they desired, Rutters selected a perfect match from our extensive library.
Drawing on our expertise, our talented team enhanced the image, incorporating elements such as fencing, lighting, and carefully crafted shadows. Subtle nuances in the lighting were expertly adjusted to add depth and authenticity, transforming the image into a perfect representation of the desired setting. The result an atmospheric scene that seamlessly aligned with the client’s vision.
The storyboard illustrates our step-by-step process, we can seamlessly integrate buildings, structures, or even transform day into night. Whether it’s creating dramatic skies filled with stars or storm clouds, our expertise knows no bounds. Whatever you can imagine, we can make it a reality—let us weave our magic and turn your ideas into breathtaking images.
